Here are two watercolours of snow scenes; some old barns near Exmoor and George Nympton Church. The key is to make sure there are some strong darks to light up the snow. Both of these were painted as quickly and loosely as my level of ability allowed.
Here are two watercolours of iconic Worcestershire views (I lived in Worcestershire for over 30 years and have family and friends there too). Here we have the Malvern Hills from the Cotswold outcrop of Bredon Hill along with a view of Worcester Cathedral across the River Severn.
Another watercolour from my trip last month to North Norfolk. This is the windmill at Cley-next-the- Sea-now provides B and B.
This is a watercolour of the farm where I stayed when painting in Norfolk last week; some lovely autumn skies.
Famous the world over for its light and huge variety of painterly subjects, I’ve spent two days mainly plein air painting in North Norfolk with John Hoar around Brancaster Staithe and Burnham Overy Staithe. Here are the (mixed) results. It’s an inspiring place to paint.
There seems to be an autumnal theme in my current paintings. Maybe because we here in the UK have had a unusually warm and sunny summer, I’m driven to think of the beauty of the sudden cooler days and gradual changes of the leaves to vibrant russets, reds and oranges. Anyway, this scene is of the Welsh/Shropshire border near where my oldest and dear friend Mike lives. We went walking here in June.
Sometimes I like to use a bamboo and matchstick ‘pen’ with Indian ink to create a picture to be then painted with watercolour. A matchstick is much better than a commercially bought pen because if you sharpen it into a wedge you can get both fine and thick lines and you can add texture by shading.
Here’s a picture of Clifton Suspension Bridge, Bristol UK using this method.